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In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

珍妮躲进浴室寻求庇护。她的弟弟保罗打破了她的独处时光，也来到了浴室，与此同时，他们的父母又一次争吵起来。孩子们试图通过玩他们最喜欢的游戏来逃离这场争吵。

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Do you dream of escaping everyday routines? Stop dreaming, do it. With Miu Miu L'Eau Rosée.

Early water rollercoaster-type ride.

À l’hôtel Les Pieds dans l’eau, Rosa, femme de chambre surmenée par son manager stressé, tente d’échapper un instant à une réalité où les employés s’épuisent pendant que les clients roupillent.

With their faces of sweet lunatics or lighted beaufs, citizens of the ordinary or pochards between two wines, they interpret, in twos or threes, conversations seized on the zincs of the bistros or in the corners of our kitchens. A few minutes of delirium or absurdity. The Deschiens are the actors of Jérôme Deschamps's troupe, who, as usual, with his accomplice Macha Makeieff, track down the little nonsense of everyday life, between humor and ferocity.